Even when
the Olodum aren´t playing, Salvador bustles to an urban beat. Walking through
the Pelourinho, you will be hissed at, offered guias and have a ´presente´ of
the Senhor do Bonfim bracelet thrust into your hand.
The bracelet, beautiful as
it was, had no place on my wrist. For me,
wearing that bracelet meant being branded a tourist. Especially because superstition dictates that you can´t take it off until it disintegrates.
Even without
the bracelet, I stood out considerably with my fair skin and ´loura´ hair. I became a little paranoid while walking around the Pelourinho and even on the rare occasions when no one approached me, and I didn´t hear the scattering of ´psiuuus´ I felt as
if I was being watched.
It was only after taking a capoeira lesson that I
finally befriended some baianos did I start to feel less like an outsider.
Above: The Capoeira Crew on the Beach
My first lesson was with one of the most powerful mestres.
Never had my scrawny European body felt so malcoordinated. When I watched the
master perform ginga, it seemed slow, rhythmical, dance-like. However, when I
had to imitate the same moves, I felt stiff and awkward.The only thing I could do well was the cartwheel at the end!
My subsequent classes, with a teacher nicknamed Sangue
Latina, were somewhat more successful. Small yet powerful, Sangue showed me all the routines slowly and forced me to repeat them many times. If I remembered it
wrong, I was punished with 50 sit ups or whacked with a toggle.
But when I
did it right, I was rewarded with a big grin and a hearty muito bem. One day, as a special treat, she even made me brigadeiros after class in exchange for some British tea! The
Mestre Bimba community was like a large, loyal family and even Tania, an award-winning acaraje seller from Rio Vermelho, took lessons there.
Above: Tania in Capoeira gear with Tekka and cooking in traditional Bahian dress
A few days
later, after the roda, I met the metaphorical Father of the group. The atmosphere was was tense, tribal and fraternal. The capoeiristas lined up from youngest to oldest and the Mestre gave a speech about the capoeira´s responsibility to value his art for art´s sake and not get too sidetracked by the commercial side of it all. His pastor-like voice invoked a paternal authority.
Above: Mestre Bimba
The youngest capoeirista was almost brought to tears when the Mestre praised him for his improved performance in the roda. I realized that I had underestimated the concept of capoeira by thinking of it as a sport. The fact that capoeira was born from a resistance to slave communities continues to inspire its members by enpowering the individual to overcome adversity. Every song and salve pays homage to these humble origins and gives the art a certain reverence which no sport I have ever practised before can come close to.
But if capoeiristas used to rebel against the Portuguese engenho owners, who are they fighting against now? Edel, my first teacher, claimed that capoeira is almost always non-violent these days but a scar on his left eyebrow told a different story.
Outside of the classroom, I heard stories about scraps at night between rival capoeira schools. For example, a heard a story about a man whose leg was broken after he left the capoeira group he had been practising at for the last ten years in order to teach in a wealthier, more touristy organization.
Indeed, loyalty is highly valued in capoeira. Part of the challenge of a roda is knowing your opponent so well that you can predict what they will do then outwit them with a touch of madinga. Once inducted into a group, you are part of a family and it seems wrong to leave it.
What about you? Are you loyal to your sport/team?
Above: Going out with the Capoeiristas at Rio Vermelho